Features

• Physical modeling simulation of hybrid digital/analogue hardware, achieved by the adoption of the Advanced Component Simulation (ACS) approach - oscillators, filters, envelopes (,...) are built preserving their original architecture, featuring all the micro-instabilities and imperfections of the analogue technology
• Full 64-bit processing accuracy for every single aspect of the simulation
• An all-in-one complete setup : polyphonic hybrid digital/analogue synthesizer with built-in arpeggiator + analogue and digital insert/master effects
• Four-voice polyphonic (voice component modeling) - working as monophonic as well, including an optional unison mode
• Featuring a vintage polyphony management method, with first-voice re-assign (instead of round-robin)
• A compact real-world replicable device, established on a 100% original synthesis method
• A 100% original sound oscillator built from modeled lo-fi, late-1970s / first-1980s telecommunications-class NCO and DAC components, producing overtones out of expressly generated aliasing signals
• Separate controls for overtones generation, morphing and blending
• Expressive 2-pole resonant low-pass diode-ladder analogue filter (modeled after real hardware by the adoption of the topology-preserving transform / zero-delay feedback approach) with a very specific, uncommon design
• Additional 1-pole non-resonant high-pass analogue filter (modeled after real hardware by the adoption of the topology-preserving transform / zero-delay feedback approach)
• Three analogue envelope generators (two are freely assignable, one is hard-wired to the analogue amplifier) with a steep attack curve (0.3 ms) modeled after the Curtis CEM3310 proving the same capacitors' charging/discharging responses as found on the original analogue circuits
• Two freely assignable digital sinusoidal LFOs (frequency from 0.02 Hz up to 30 Hz)
• Featuring a full modulation matrix, allowing for easy and clear source-destination assignments
• A built-in creative multi-mode arpeggiator based on note-priority
• Including an insert effect slot with the possibility to choose :
• CHOR-S unit (rack), an expressive stereo chorus effect
• FLANG-R unit (rack), an expressive stereo flanger effect
• X-TREME unit (rack), an accurately modeled, ground-shaking tube distortion effect
• SOLIDA unit (rack), an accurately modeled, rock-solid transistor distortion effect
• PHEEBEE unit (rack), an expressive digital foldback distortion effect
• CRUSH-R unit (rack), a creative digital bitcrusher effect
• Including a master effect slot with the possibility to choose :
• D-LAY unit (rack), a tempo-synced stereo delay effect
• REEVERB unit (rack), a resonator-based electronic reverb effect
• Including 150+ ready-to-use factory presets collection covering multi-genre styles
• Single-view interface, vintage microcomputer-styled synth panel
• MIDI automation
• Support for sample rates from 44.1 kHz up to 192 kHz
• Available in multi-size GUI resolutions

System Requirements