{"title":"Cranborne Audio","description":"\u003ch2\u003eCranborne Audio til professionelle optagelser og mixing\u003c\/h2\u003e\u003cp\u003eCranborne Audio udvikler studiehardware til optagelse, routing og lydbehandling. Hos SoundStoreXL finder du blandt andet 500R8, 500ADAT, Camden500, Carnaby HE2, Brick Lane 500 og produkter fra C.A.S.T.-systemet. Brandet er relevant, når du vil bygge et fleksibelt studie med eksterne preamps, EQ, dynamik eller flere forbindelser mellem musikere og kontrolrum.\u003c\/p\u003e\u003ch2\u003e500R8 og 500ADAT til 500-serie og studierouting\u003c\/h2\u003e\u003cp\u003eCranborne Audio 500R8 og 500ADAT er centrale produkter i sortimentet. Ved valg af rack- og interface-løsning bør du undersøge antal modulpladser, lydforbindelser, digital integration og strømkrav. Sammenlign altid de tekniske muligheder med dit nuværende \u003ca href=\"\/collections\/lydkort-interfaces\"\u003elydkort eller audio interface\u003c\/a\u003e og resten af studiet.\u003c\/p\u003e\u003ch2\u003eCamden500, Carnaby og Brick Lane til lydbehandling\u003c\/h2\u003e\u003cp\u003eCamden500, Carnaby HE2, Carnaby 500 og Brick Lane 500 er hardwareprodukter til forskellige opgaver i signalkæden. Vælg efter om du søger forforstærkning, tonal formning eller dynamikbehandling, og kontrollér det konkrete moduls funktioner. Hardware kræver passende tilslutninger og i nogle tilfælde et kompatibelt 500-serie chassis.\u003c\/p\u003e\u003ch2\u003eC.A.S.T., N8 og N22 i optagesetuppet\u003c\/h2\u003e\u003cp\u003eCranborne Audio N8 og N22 indgår i sortimentets udstyr til forbindelser og routing. Ved større optagesetups bør du planlægge signalkæde, kabler, antal mikrofoner og monitoring, før du udvider. Målet er et overskueligt workflow med korrekte signalniveauer og kompatible forbindelser.\u003c\/p\u003e\u003ch2\u003eFAQ om Cranborne Audio\u003c\/h2\u003e\u003ch3\u003eHvad er et 500-serie modul?\u003c\/h3\u003e\u003cp\u003eDet er et kompakt modulformat til kompatible chassis, hvor funktion og strømforsyning afhænger af modulet og rammen.\u003c\/p\u003e\u003ch3\u003eKan 500R8 bruges med min DAW?\u003c\/h3\u003e\u003cp\u003eKontrollér den konkrete models tilslutning, drivere og kompatibilitet med din computer.\u003c\/p\u003e\u003ch3\u003eSkal jeg købe et rack til Camden500?\u003c\/h3\u003e\u003cp\u003eKontrollér modulformatet og de nødvendige rammer og tilslutninger før køb.\u003c\/p\u003e","products":[{"product_id":"cranborne-audio-carnaby-he2","title":"Cranborne Audio Carnaby HE2","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e3-band HarmonicEQ®: Custom analogue EQ circuit and unique ‘saturation-core’ technology for Harmonically-enriched EQ effects.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVersatile Operation:\u003c\/strong\u003e Carnaby HE2 supports stereo \u0026amp; dual-mono configurations, as well as mid-side switching for enhanced control over stereo imaging.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntuitive Interface:\u003c\/strong\u003e Equipped with dimmable LED rings and digital encoders, the Carnaby HE2 ensures a user-friendly and visually intuitive experience that ensures any remote control operation is reflected on the Carnaby HE2’s front panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRemote Control and Recall\u003c\/h3\u003e\n\u003cp\u003eUtilise USB and Network control and recall via our included VST\/AU\/AAX plugin to seamlessly retrieve your preferred settings, recall previous settings, and control your Carnaby HE2 remotely right from your DAW providing a streamlined workflow in various studio environments.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePer-Band Bypass:\u003c\/strong\u003e Achieve precise tonal sculpting by independently bypassing each of the 3 frequency bands, allowing you to audition and fine-tune your settings.\u003c\/li\u003e\n\u003cli\u003eExtended HF and LF shaping: Facilitating further sound-sculpting, precise HF and LF cut controls with individual bypass controls help further tame and shape your audio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutboard Processing Integration:\u003c\/strong\u003e Carnaby HE2 caters to your creativity with per-channel inserts for outboard processing, empowering you to easily expand your workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal PSU:\u003c\/strong\u003e Carnaby HE2 features an internal switchable mains power-supply for 100 - 240V operation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCarnaby HE2 - Two-channel Harmonic EQ  with total recall - 19 Inch Rack 2HE\u003c\/p\u003e\n\u003cp\u003eOur Carnaby HE2 HarmonicEQ® utilises the same unique and revolutionary EQ concept found in Carnaby 500, using harmonic saturation to boost and cut frequency content. Enhance your sources, stems and mixes with genuine analogue harmonic saturation with the feel, familiarity, and control of an equaliser. However, the concept is taken even further with Carnaby HE2.\u003c\/p\u003e\n\u003ch3\u003e3-Band Parametric EQ With More\u003c\/h3\u003e\n\u003cp\u003eWhether being used for Stereo, Dual Mono or Mid-Side processing, Carnaby HE2 features 3 bypassable, interactive bands of HarmonicEQ® per channel. Each band has 10dB of boost\/cut and its own sweepable and overlapping frequency controls. As with Carnaby 500, each of Carnaby HE2s bands has a unique blend of harmonic content suited to its frequency band to achieve maximum musicality.\u003c\/p\u003e\n\u003cp\u003eThe HI band has a frequency range from 5kHz all the way to 25kHz and uses smooth saturation to naturally extend high frequencies beyond the audio band for ultimate air and breath on vocals and acoustic instruments.\u003c\/p\u003e\n\u003cp\u003eThe LO band has a frequency range of 420Hz down to 20Hz and uses hard-clipping saturation to extend sub-harmonic frequencies into the audible low-end - perfect for subtle low-end warming or extreme sub-harmonic saturation.\u003c\/p\u003e\n\u003cp\u003eThe MID band is a peaking filter with a fixed Q and a wide sweepable frequency range from 200Hz up to 6.2kHz. It uses saturation to add harmonic emphasis to the source anywhere in the frequency range.\u003c\/p\u003e\n\u003cp\u003eUnlike other EQs, Carnaby HE2 has a dynamic response and increases in total boost\/cut and harmonics as the circuits are driven harder. An Input and Output level control on each band allows for ±20dB of level adjustment, enabling you to drive Carnaby HE2 harder with the input control for more saturation and distortion effects, or back it off for a cleaner EQ when needed.\u003c\/p\u003e\n\u003ch3\u003eFully Digitally-Controlled with USB and Network options\u003c\/h3\u003e\n\u003cp\u003eCarnaby HE2 takes control to a whole new level allowing all buttons and controls of the unit to be controlled remotely via USB or an Ethernet network. Our VST\/AU\/AAX control plugin seamlessly integrates with the Carnaby HE2 hardware via the USB or NET ports, allowing for convenient real-time control and recall from within your DAW. It also facilitates the independent saving and loading of presets.\u003c\/p\u003e\n\u003ch3\u003ePer-Band Bypass\u003c\/h3\u003e\n\u003cp\u003eAchieve precise tonal sculpting by independently bypassing each of the 3 frequency bands, allowing you to audition and fine-tune your settings.\u003c\/p\u003e\n\u003ch3\u003eExtended HF \u0026amp; LF Shaping\u003c\/h3\u003e\n\u003cp\u003eFacilitating further sound-sculpting, precise HF and LF cut controls with individual bypass controls help further tame and shape your audio.\u003c\/p\u003e\n\u003ch3\u003eMid\/Side Processing\u003c\/h3\u003e\n\u003cp\u003eEspecially valuable for mastering, mixing, and sound design applications, Carnaby HE2 allows for Mid\/Side processing, allowing you to apply HarmonicEQ® to the separate mid (center) and side (stereo width) components of your stereo signal. No additional hardware is needed, Carnaby HE2 takes care of all the necessary encoding and decoding.\u003c\/p\u003e\n\u003cp\u003eInserts for outboard hardware\u003c\/p\u003e\n\u003cp\u003eCarnaby HE2 features a bypassable TRS Insert on each of its two channels. The inserts are post M\/S encoding and pre M\/S decoding allowing you to use each of these Inserts to connect outboard hardware before your signal hits the HarmonicEQ® processing.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725269717315,"sku":"CA-CARNABYHE2","price":16790.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-CARNABYHE2_1.jpg?v=1786615076"},{"product_id":"cranborne-audio-ec2","title":"Cranborne Audio EC2","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cp\u003eTwo discrete mic\/line\/hi-z preamps featuring the award-winning ‘Camden’ topology from the Camden 500 Preamp and Signal Processor for 500 series\u003c\/p\u003e\n\u003cp\u003eAudio performance at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings\u003c\/p\u003e\n\u003cp\u003eEIN: \u0026lt;-129.5dBu, 150 Ohm source, unweighted, \u0026lt;-135.5dBu, Inputs common, unweighted\u003c\/p\u003e\n\u003cp\u003eTHD+N: \u0026lt;0.00025% (1kHz, 35dB gain, +24dBu out)\u003c\/p\u003e\n\u003cp\u003eIntermodulation Distortion: \u0026lt;0.0006% (50Hz and 7kHz, 35dB gain, +20dBu out)\u003c\/p\u003e\n\u003cp\u003ePhase Shift: \u0026lt;2.75° (20Hz to 20kHz, 40dB gain), \u0026lt;6° (20Hz to 20kHz, Max Gain)\u003c\/p\u003e\n\u003cp\u003eFreq. Response: ±0.7dB (\u0026lt;1 Hz to \u0026gt;1000 kHz, 35dB gain), ±1dB (\u0026lt;5 Hz to \u0026gt;200 kHz, Max Gain)\u003c\/p\u003e\n\u003cp\u003eUnique 48v status LED\u003c\/p\u003e\n\u003cp\u003e48v LED Lights Orange to indicate voltage charging or dissipating to prevent damage to ribbon microphones and to ensure voltage is fully charged before use\u003c\/p\u003e\n\u003cp\u003e48v LED lights RED when voltage is fully charged and ready to use\u003c\/p\u003e\n\u003cp\u003eTwo instances of Mojo analogue saturation circuits with variable control, true bypass, and 2 discrete styles - Thump and Cream\u003c\/p\u003e\n\u003cp\u003eThump excites low-end content by boosting lower odd\/even harmonics from a range of 160Hz to 20Hz and below\u003c\/p\u003e\n\u003cp\u003eCream boosts odd\/even harmonics whilst also reducing the amplitude of the fundamental frequencies and applying typical transformer-style transient taming\u003c\/p\u003e\n\u003cp\u003eTwo discrete headphone mixers with independant CH 1, CH 2, and Aux Input level controls\u003c\/p\u003e\n\u003cp\u003eMonitor the Camden preamps directly with headphones during mic placement to find the sweet spot of the instrument\/source\u003c\/p\u003e\n\u003cp\u003eCreate zero-latency artist mixes by combining the Camden preamps with external playback from Aux Input 1\/4” jacks on Camden EC2’s rear panel\u003c\/p\u003e\n\u003cp\u003eUse the reference grade headphone amps for critical listening by sending stereo mixes from the interface into the Aux input and monitoring directly using Camden EC2’s headphone outputs\u003c\/p\u003e\n\u003cp\u003e'Stereo’ switch to pan CH1 \u0026amp; CH2 left and right in each headphone mix for true stereo monitoring\u003c\/p\u003e\n\u003cp\u003eTwo reference-quality, high-powered headphone amplifiers\u003c\/p\u003e\n\u003cp\u003eFreq. Response: \u0026lt;±1dB, \u0026lt;1 Hz to \u0026gt;100 kHz\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: 0.33 Ohms\u003c\/p\u003e\n\u003cp\u003eTHD: 0.0003%, 1kHz\u003c\/p\u003e\n\u003cp\u003eOutput Wattage: 2x250mW @ 600 Ohm, 2x450mW @ 220 Ohm, 2x250mW @ 100 Ohm\u003c\/p\u003e\n\u003cp\u003eBalanced XLR outputs and impedance balanced 1\/4” jack outputs for maximum connectivity into audio interfaces and other downstream equipment\u003c\/p\u003e\n\u003cp\u003eDedicated Impedance balanced 1\/4\" jack Link outputs for true instrument DI functionality and splitting instrument inputs to balanced or unbalanced amplifiers and effects\u003c\/p\u003e\n\u003cp\u003eC.A.S.T. OUT port for connecting Camden EC2 into 500R8\/500ADAT\u003c\/p\u003e\n\u003cp\u003eTransmit Camden EC2’s preamps directly into 500R8 and 500ADAT’s 500 series modules inputs for recording\/processing\u003c\/p\u003e\n\u003cp\u003eReceive a stereo mix generated from 500R8\/500ADAT and monitor using Camden EC2’s headphone mixers\u003c\/p\u003e\n\u003cp\u003eAll managed and distributed via a single shielded Cat 5e, Cat 6, or Cat 7 cable\u003c\/p\u003e\n\u003cp\u003eC.A.S.T. IN port for connecting N22\/N22H Cat 5 snakes to relocate Camden EC2 I\/O elsewhere in the studio\u003c\/p\u003e\n\u003cp\u003eReceive 2 mic\/line signals from N22\/N22H directly into the preamp inputs of Camden EC2\u003c\/p\u003e\n\u003cp\u003eTransmit Camden EC2’s Aux 1 headphone mix into N22\/N22H for direct monitoring by the musician\u003c\/p\u003e\n\u003cp\u003eAll managed and distributed via a single shielded Cat 5e, Cat 6, or cat 7 cable\u003c\/p\u003e\n\u003cp\u003eExternal high-current 24v, 1.25a power supply with latching connector\u003c\/p\u003e\n\u003cp\u003eEC2 Multi award winning two channel preamp, Mojo analogue saturator, and reference-quality headphone amplifier with discrete line mixer.\u003c\/p\u003e\n\u003cp\u003eTwo channel 19\", 1u preamp featuring award-winning Camden preamps, Mojo analogue saturation circuits, and dual reference-quality headphone amplifiers with discrete line mixers.\u003c\/p\u003e\n\u003cp\u003eThe ultimate studio front-end, Camden EC2 combines award-winning mic\/line\/hi-z preamps with Cranborne Audio’s acclaimed Mojo analogue saturation circuits and two reference-quality headphone amplifiers with discrete line mixers.\u003c\/p\u003e\n\u003ch3\u003eAward Winning Pedigree\u003c\/h3\u003e\n\u003cp\u003ebased on the award-winning Camden 500 Preamp and Signal Processor for the 500 series lunchbox format, Camden EC2 combines the sonic capabilities of one of the markets cleanest and most transparent preamps with the flexibility of a standalone, 1u, 19” chassis that can integrate into any recording setup with or without 500 series connectivity.\u003c\/p\u003e\n\u003cp\u003eFeaturing two discrete instances of Cranborne Audio’s ‘Camden’ preamp topology, Camden EC2 achieves unprecedented low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings.\u003c\/p\u003e\n\u003cp\u003eUse Camden EC2 to capture your audio sources with complete transparency; boost low-sensitivity microphones without adding noise and colouration; and capture instant and coherent transients without phase shift that cause summing abnormalities. Camden EC2’s preamps exhibit performance specifications that rival (and in most cases, exceed) the most revered ‘transparent’ preamps on the market.\u003c\/p\u003e\n\u003cp\u003eThe 12-way rotary Gain switches for each preamp provide perfect stereo matching for stereo mic’ing setups and it’s dedicated mic, line, and hi-z input modes allows Camden EC2 to not only become your go-to mic preamp, but also a line-level saturator and dual-channel DI thanks to dedicated ¼” jack Link outputs for each channel.\u003c\/p\u003e\n\u003ch3\u003eVintage Persona\u003c\/h3\u003e\n\u003cp\u003eUsing it’s Mojo analogue saturation controls, both of Camden EC2’s preamps transform from extraordinarily clean, natural, and precise sounding, into thick, gooey, and vintage-sounding preamps at the turn of a dial.\u003c\/p\u003e\n\u003cp\u003eWith two discrete Mojo styles per channel, Camden EC2 takes on the persona of vintage transformer-based preamps using its Thump Mojo or gooey tube-based preamps using its Cream Mojo.\u003c\/p\u003e\n\u003cp\u003eUnlike transformer or valve-based preamps, Mojo’s saturation is completely variable allowing you to dial-in the amount of saturation you need for each source. Keep it at 3-4 for authentic preamp saturation or crank it up to 11 for a more exaggerated effect!\u003c\/p\u003e\n\u003cp\u003ePerhaps most crucially and unlike transformer-based preamps, when you need something clean and transparent for a particular session\/source, Mojo can be completely bypassed and removed from the signal using the pots’ built-in, true-bypass switch to reveal the true clarity of the Camden preamp design.\u003c\/p\u003e\n\u003cp\u003eRecord through Mojo to apply instant analogue colouration during tracking or send line-level sources through the Mojo to add vintage colouration to your DAW tracks or stereo bus during the mix phase.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Tracking And Reamping Tool\u003c\/h3\u003e\n\u003cp\u003eTwo reference-quality headphone amplifiers with independant line mixers allow for direct monitoring of both Camden preamps using headphones connected directly to Camden EC2’s front panel.\u003c\/p\u003e\n\u003cp\u003eMonitor the preamp signals directly using headphones during mic placement to find the sweet spot of the instrument\/source or create zero-latency artist mixes by combining the preamps with external playback from the Aux Input jacks on Camden EC2’s rear panel.\u003c\/p\u003e\n\u003cp\u003eWith its extraordinary hi-z circuit and dedicated ¼” jack Link outputs for each channel, Camden EC2 is the perfect tool for reamping bass and electric guitars.\u003c\/p\u003e\n\u003cp\u003eSimply connect your instrument to one preamp using its hi-z input, connect the ¼” Link output of that preamp to your amplifier\/effects pedals and capture that signal using the second preamp. With both the dry DI and wet amplified signals recorded simultaneously using both preamps on Camden EC2, you can process the affected signal further or reamp the dry DI signal at a later date.\u003c\/p\u003e\n\u003ch3\u003eC.A.S.T. Enabled\u003c\/h3\u003e\n\u003cp\u003eCamden EC2 also utilises Cranborne Audio’s unique C.A.S.T. system for distributing audio around the studio or stage using affordable Cat 5e, Cat 6, or Cat 7 cabling whilst achieving the highest sonic results.\u003c\/p\u003e\n\u003cp\u003eConnect Camden EC2’s C.A.S.T. OUT port to Cranborne Audio’s 500R8 or 500ADAT, and you can send Camden EC2’s preamps directly to the interface's inputs ready for further processing and recording. At the same time through the same cable, 500R8\/500ADAT transmit their built-in monitor mix directly to Camden EC2’s headphone mixer for monitoring.\u003c\/p\u003e\n\u003cp\u003eThis allows 500R8\/500ADAT users to relocate their Camden EC2’s preamps and headphone amps into the live room using a single Cat 5e, Cat 6, or Cat 7 cable whilst freeing-up 500 series slots in 500R8\/500ADAT for more EQ and Compressor modules and extra processing before hitting 500R8\/500ADAT’s converters.\u003c\/p\u003e\n\u003cp\u003eConnect Camden EC2’s C.A.S.T. IN port to Cranborne Audio’s N22 or N22H and you have a cost-effective analogue snake - use N22 or N22H to easily relocate Camden EC2’s preamp inputs to a remote location such as a vocal booth, live room, hallway, or reverb chamber using Cat 5e as cheap, high-quality, analogue multicore.\u003c\/p\u003e\n\u003ch3\u003eMeticulously Designed and Engineered In The UK\u003c\/h3\u003e\n\u003cp\u003eWith an abundance of I\/O available, Camden EC2 facilitates the maximum amount of flexibility with all 3rd party audio interfaces and recorders by including dedicated XLR outputs, Impedance balanced 1\/4” jack outputs, and Link outputs when using Camden EC2 as a DI.\u003c\/p\u003e\n\u003cp\u003eSo much more than two Camden 500’s in a metal box, Camden EC2 is another Cranborne Audio product engineered and designed during the team’s watchful eyes. Camden EC2 features elite audio specifications and application-based features that defies its price tag and is accessible for professional, project, and home studio engineers.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725269750083,"sku":"CA-CAMDENEC2","price":9790.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-CAMDENEC2_1.jpg?v=1786615077"},{"product_id":"cranborne-audio-500r8","title":"Cranborne Audio 500R8","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cp\u003e28-in\/30-out USB 2.0 audio interface\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow-latency USB 2.0 interface with high-stability and compatibility with a wide range of PC\/macOS devices.\u003c\/li\u003e\n\u003cli\u003eADAT I\/O (16\/16 channels @ 44.1\/48kHz, 8\/8 channels @ 88.2\/96kHz)\u003c\/li\u003e\n\u003cli\u003eS\/PDIF I\/O\u003c\/li\u003e\n\u003cli\u003e5-pin MIDI I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh-performance A\/D conversion\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range: 121dB A-weighted, AES17 method, 20Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003eFrequency Response: -1dB, 2.2Hz to \u0026gt;80kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.00032% (-110dB) @ -4dBFS, 20Hz - 40kHz, 1kHz, A-weighted\u003c\/li\u003e\n\u003cli\u003eMax Input Level: +24dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh-performance D\/A conversion\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range: 121dB A-weighted, AES17 method, 20Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003eFrequency Response: -1dB, \u0026lt;1Hz to \u0026gt;61kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0003% (-110.5dB) @ -4dBFS, 20Hz - 40kHz, 1kHz, A-weighted\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +24dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMaster reference-quality internal clock\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCapable of 44.1, 48, 88.2, 96, 176.4, and 192kHz operation\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.5ps of jitter\u003c\/li\u003e\n\u003cli\u003eDedicated Word Clock Input and Output via BNC\u003c\/li\u003e\n\u003cli\u003eExternal sync options using Word Clock BNC, S\/PDIF, or ADAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMonitor controller with talkback\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpeaker A\/B switching, Mono check, Dim, Mute, and 28-segment peak meter\u003c\/li\u003e\n\u003cli\u003eDedicated talkback input with phantom power, push-to-talk activation, and automatic routing to all headphone and C.A.S.T. facilities\u003c\/li\u003e\n\u003cli\u003eEasy-access illuminated front panel controls for all monitor controller functions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAnalogue summing mixer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-into-2 analogue summing mixer with +26.5dBu of headroom, dedicated ADC, and balanced 1\/4\" jack outputs\u003c\/li\u003e\n\u003cli\u003eC.A.S.T. link port for increasing summing mixer to 16-into-2 using Cranborne Audio 500ADAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eZero-latency artist mixer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eZero-latency analogue artist mixer with physical level\/pan controls per channel and DAW return blend controls\u003c\/li\u003e\n\u003cli\u003e2 high-power headphone outputs with independent blend and level controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReference-Quality Headphone Outputs\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0006% (-104.4dB) @ 20dBu, 1kHz, A-weighted, 300ohm load\u003c\/li\u003e\n\u003cli\u003eOutput Wattage (1kHz): 250mW x 2 @ 600 ohms, 650mW x 2 @ 220 ohms, 1.21W x 2 @ 100 ohms, 500mW x 2 @ 32 ohms\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1dB, \u0026lt;1Hz to \u0026gt;70kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh-current 8-slot 500 series rack\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e250mA current per-slot with 2A total for all slots\u003c\/li\u003e\n\u003cli\u003eXLR inputs, XLR line outputs, and TRS Inserts (pre-ADC) per 500 series slot\u003c\/li\u003e\n\u003cli\u003eModule source switching options to send Analogue, USB or external C.A.S.T. signals through your favourite 500 series modules\u003c\/li\u003e\n\u003cli\u003eModule bypass switches per-slot allowing 500R8 to be used without 500 series modules inserted.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eC.A.S.T. Compatible\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eC.A.S.T. ports per channel for relocating analogue I\/O around studio using passive or active C.A.S.T. breakout boxes via standard shielded Cat 5\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003e24v, 5a external locking power supply\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eExternal power supply for improved analogue audio performance and heat dissipation.\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3\u003eDesigned and Engineered in the UK\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eEach and every 500R8 is extensively tested by a team of dedicated engineers to ensure reliability and consistency.\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003e500R8\u003c\/p\u003e\n\u003cp\u003e500R8 is the centrepiece to the modern studio. It's a 28-in\/30-out USB audio interface that combines a 500 series rack and high-performance AD\/DA conversion with all of the connectivity required in the modern professional or home studio. k\u003c\/p\u003e\n\u003cp\u003e500R8 is the centrepiece to the modern studio. It's a 28-in\/30-out USB audio interface that combines a 500 series rack and high-performance AD\/DA conversion with all of the connectivity required in the modern professional or home studio.\u003c\/p\u003e\n\u003cp\u003e500R8 features the studio essentials that you need to build your dream studio such as an 8-into-2 high-headroom analogue summing mixer, comprehensive monitor controller with talkback facility, 16-in\/16-out ADAT interface, as well as a zero-latency analogue artist mixer with reference-quality, high-powered headphone outputs.\u003c\/p\u003e\n\u003ch3\u003eThe Best Of Analogue Character - Thanks To 500 Series\u003c\/h3\u003e\n\u003cp\u003eBy capitalising on the vast and ever growing 500 series market, you can configure your 500R8 to suit your tastes of analogue flavour. By installing your favourite 500 series modules into the 8 available 500 series slots, you can create your ultimate analogue front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e\n\u003cp\u003eFill 500R8 full of vintage preamps for recording drums. Fill 500R8 full of clean and pristine preamps for recording strings. Fill 500R8 full of Preamp, EQ, and Compressor modules to create your own custom, analogue channel strips. The possibilities are endless and every 500R8 is unique to your sound.\u003c\/p\u003e\n\u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send USB channels from your DAW, into 500R8, through the 8 installed 500 series modules, and back into your DAW for recording (with that analogue ‘mojo’ applied). Think of 500R8 as a bank of 8 external Analogue Plug-ins.\u003c\/p\u003e\n\u003cp\u003eFor a more hands-on, all-analogue approach to mixing, 500R8 also features an 8-into-2 high-headroom analogue summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analogue mix before recording it back into your DAW using dedicated USB inputs 9\/10.\u003c\/p\u003e\n\u003ch3\u003eDigital Precision\u003c\/h3\u003e\n\u003cp\u003eIn order to capture every subtle nuance of your analogue signal, 500R8 features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500R8’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter.\u003c\/p\u003e\n\u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analogue character is captured with the utmost detail - free of unwanted digital artefacts from the conversion process and with a wide dynamic range thanks to 500R8's high-headroom analogue design and low noise floor.\u003c\/p\u003e\n\u003cp\u003eCranborne Audio's USB 2.0 audio interface provides high channel-count and low-latency performance whilst being accepted by all PC\/macOS devices with unparalleled stability and longevity. 500R8 is core audio compliant for macOS or features a lightweight control panel for Windows machines that absorbs as little CPU resources as possible to leave you with more power for plug-ins within your DAW session.\u003c\/p\u003e\n\u003cp\u003ePlug 500R8 into your PC\/macOS device and your DAW will see a full 28-in, 30-out USB audio interface. 500R8 also includes a full complement of 5-pin MIDI I\/O, ADAT I\/O, Word Clock I\/O via BNC, and S\/PDIF I\/O to ensure that all of your digital studio connectivity is covered.\u003c\/p\u003e\n\u003ch3\u003eMonitor Controller\u003c\/h3\u003e\n\u003cp\u003e500R8 features a comprehensive monitor controller with connectivity for two sets of studio monitors. As well as seamless speaker switching between both sets of studio monitors, there’s a Mono button that sums L-R channels to check for mono compatibility, a DIM switch that drops the speaker volume by 12dB for relaxed discussions during recordings, and a speaker mute switch for when you are tracking with headphones.\u003c\/p\u003e\n\u003cp\u003e500R8 also features a comprehensive Talkback section with XLR input, 48v phantom power, push-to-talk operation, and automatic signal routing to all C.A.S.T. and headphones outputs connected to the system.\u003c\/p\u003e\n\u003ch3\u003eSumming Mixer\u003c\/h3\u003e\n\u003cp\u003eAnalogue summing can give your mix the final bit of analogue character required to achieve professional and polished sonic results. What makes 500R8's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500R8’s dedicated analogue level and pan controls beneath each module. 500R8's summing mixer also has a dedicated converter which can be used to record your stereo mix into your DAW on USB inputs 9\/10 with a massive +24dBu of headroom.\u003c\/p\u003e\n\u003ch3\u003eZero-Latency Artist Mixer\u003c\/h3\u003e\n\u003cp\u003e500R8 moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analogue summing mixer, you can create zero-latency, all-analogue mixes of live sources that can be blended with discrete USB playback paths and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\n\u003ch3\u003eC.A.S.T. Equipped\u003c\/h3\u003e\n\u003cp\u003eC.A.S.T. stands for Cat 5 Analogue Snake Transport and enables cost effective and organised cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 Networking cables to transport 4 channels of balanced analogue audio over a single cable.\u003c\/p\u003e\n\u003cp\u003e500R8 has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500R8 and relocate analogue I\/O wherever it is needed around the studio.\u003c\/p\u003e\n\u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500R8. At the same time, the analogue mix created on 500R8 is sent through the same cable and into the connected breakout box. This allows for seamless analogue audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e\n\u003cp\u003eC.A.S.T. is 100% analogue and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analogue multi core would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e\n\u003ch3\u003eDesigned and Engineered in the UK\u003c\/h3\u003e\n\u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, all 500R8's are manufactured in the UK during the company's watchful eye. 500R8 is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725270831427,"sku":"CA-500R8","price":15090.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-500R8_1.jpg?v=1786615113"},{"product_id":"cranborne-audio-500adat","title":"Cranborne Audio 500ADAT","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cp\u003e8-in\/8-out ADAT expander\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-in\/8-out @ 44.1kHz - 48kHz\u003c\/li\u003e\n\u003cli\u003e8-in\/8-out @ 88.2kHz - 96kHz\u003c\/li\u003e\n\u003cli\u003e4-in\/4-out @ 176.4 - 192kHZ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh-performance A\/D conversion\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range: 121dB A-weighted, AES17 method, 20Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003eFrequency Response: -1dB, 2.2Hz to \u0026gt;80kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.00032% (-110dB) @ -4dBFS, 20Hz - 40kHz, 1kHz, A-weighted\u003c\/li\u003e\n\u003cli\u003eMax Input Level: +24dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh-performance D\/A conversion\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range: 121dB A-weighted, AES17 method, 20Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003eFrequency Response: -1dB, \u0026lt;1Hz to \u0026gt;61kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0003% (-110.5dB) @ -4dBFS, 20Hz - 40kHz, 1kHz, A-weighted\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +24dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMaster reference-quality internal clock\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCapable of 44.1, 48, 88.2, 96, 176.4, and 192kHz operation\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.5ps of jitter\u003c\/li\u003e\n\u003cli\u003eDedicated Word Clock Input and Output via BNC\u003c\/li\u003e\n\u003cli\u003eExternal sync options using Word Clock BNC or ADAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAnalogue summing mixer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-into-2 analogue summing mixer with +26.5dBu of headroom and balanced 1\/4\" jack outputs\u003c\/li\u003e\n\u003cli\u003eC.A.S.T. link port for increasing summing mixer to 16-into-2 using Cranborne Audio 500ADAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eZero-latency artist mixer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eZero-latency analogue artist mixer with physical level\/pan controls per channel and aux input blend controls\u003c\/li\u003e\n\u003cli\u003e2 high-power headphone outputs with independent blend and level controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReference-Quality Headphone Outputs\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0006% (-104.4dB) @ 20dBu, 1kHz, A-weighted, 300ohm load\u003c\/li\u003e\n\u003cli\u003eOutput Wattage (1kHz): 250mW x 2 @ 600 ohms, 650mW x 2 @ 220 ohms, 1.21W x 2 @ 100 ohms, 500mW x 2 @ 32 ohms\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1dB, \u0026lt;1Hz to \u0026gt;70kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh-current 8-slot 500 series rack\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e250mA current per-slot with 2A total for all slots\u003c\/li\u003e\n\u003cli\u003eXLR inputs, XLR line outputs, and TRS Inserts (pre-ADC) per 500 series slot\u003c\/li\u003e\n\u003cli\u003eModule source switching options to send Analogue, USB or external - C.A.S.T. signals through your favourite 500 series modules\u003c\/li\u003e\n\u003cli\u003eModule bypass switches per-slot allowing 500ADAT to be used without 500 series modules inserted.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eC.A.S.T. Compatible\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eC.A.S.T. ports per channel for relocating analogue I\/O around studio using passive or active C.A.S.T. breakout boxes via standard shielded Cat 5\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003e24v, 5a external locking power supply\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eExternal power supply for improved analogue audio performance and heat dissipation.\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3\u003eDesigned and Engineered in the UK\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eEach and every 500R8 is extensively tested by a team of dedicated engineers to ensure reliability and consistency.\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003e8-in\/8-out ADAT expander that combines a 500 series rack with high-performance AD\/DA conversion and ADAT I\/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I\/O on the back of many popular audio interfaces.\u003c\/p\u003e\n\u003cp\u003e500ADAT is the perfect tool to increase the I\/O count of any ADAT-equipped audio interface.\u003c\/p\u003e\n\u003cp\u003eIt's an 8-in\/8-out ADAT expander that combines a 500 series rack with high-performance AD\/DA conversion and ADAT I\/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I\/O on the back of many popular audio interfaces.\u003c\/p\u003e\n\u003cp\u003e500ADAT features analogue essentials that unite digital and analogue production workflows such as an 8-into-2 analogue summing mixer, Zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT \u0026amp; SMUXII\/IV transmission to enable operation at sample rates up to 192kHz\u003c\/p\u003e\n\u003ch3\u003eThe Best Of Analogue Character - Thanks To 500 Series\u003c\/h3\u003e\n\u003cp\u003eBy capitalising on the vast and ever growing 500 series market, you can configure your 500ADAT to suit your tastes of analogue flavour. By installing your favourite 500 series modules into the 8 available 500 series slots, you can create your ultimate analogue front-end\/preamp stage that can be multi-track recorded directly into your DAW.\u003c\/p\u003e\n\u003cp\u003eFill 500ADAT full of vintage preamps for recording drums. Fill 500ADAT full of clean and pristine preamps for recording strings. Fill 500ADAT full of Preamp, EQ, and Compressor modules to create your own custom, analogue channel strips. The possibilities are endless and every 500ADAT is unique to your sound.\u003c\/p\u003e\n\u003cp\u003eIntegrating 500 series modules into your workflow doesn't stop after the recording. Dedicated module source switches for each 500 series slot allow you to send ADAT outputs from your audio interface, into 500ADAT, through the 8 installed 500 series modules, and back into your audio interface for recording (with that analogue ‘mojo’ applied). Think of 500ADAT as a bank of 8 external Analogue Plug-ins.\u003c\/p\u003e\n\u003cp\u003eFor a more hands-on, all-analogue approach to mixing, 500ADAT also features an 8-into-2 high-headroom analogue summing mixer with dedicated level and pan controls that you can use to create your own high-headroom analogue mix before recording it back into your DAW using the dedicated 1\/4” mix output jacks on the rear panel.\u003c\/p\u003e\n\u003ch3\u003eDigital Precision\u003c\/h3\u003e\n\u003cp\u003eIn order to capture every subtle nuance of your analogue signal, 500ADAT features reference-class AD\/DA conversion with 121dB (A-wtd) dynamic range and THD+N of \u0026lt;0.00032% (@ -4dBFS, 1kHz, A-wtd), all governed by 500ADAT’s master-reference grade internal clock with \u0026lt;0.5 picoseconds of jitter. You can also slave your audio interface’s clock from 500ADAT’s internal clock to benefit from 500ADAT’s low-jitter design.\u003c\/p\u003e\n\u003cp\u003eThe combination of highly-accurate, low-jitter clocking and high-performance digital conversion ensures that every ounce of analogue character is captured with the utmost detail - free of unwanted digital artefacts from the conversion process and with a wide dynamic range thanks to 500ADAT's high-headroom analogue design and low noise floor.\u003c\/p\u003e\n\u003cp\u003e8-in\/8-out ADAT Interface\u003c\/p\u003e\n\u003cp\u003eADAT is tried, tested, and sfor one of the most widely available interfacing protocols in the audio industry, however it often remains unused and underutilised by many audio engineers and producers. Almost all major audio interfaces on the market feature a pair of ADAT lightpipe ports - simply connect 500ADAT to those ports and you can enhance and expand the possibilities of your studio.\u003c\/p\u003e\n\u003cp\u003eBy containing its own converters and using ADAT to transport audio to and from the 500 series format, 500ADAT removes analogue cabling spaghetti between your rack and interface whilst eliminating the worry of mismatched analogue operating levels between interface inputs and 500 series module outputs. 500ADAT is compatible with any session running from 44.1kHz to 192kHz and can achieve 8 channels of I\/O expansion at 44.1kHz to 96kHz or 4 channels of I\/O expansion at 176.4\/192kHz.\u003c\/p\u003e\n\u003ch3\u003eSumming Mixer\u003c\/h3\u003e\n\u003cp\u003eAnalogue summing can give your mix the final bit of analogue character required to achieve professional and polished sonic results. What makes 500ADAT's 8-into-2 channel summing mixer so special is that it is positioned after the 8 500 series slots - allowing you to insert saturation or subtle 'bus-compression' modules and create a stereo mix using 500ADAT’s dedicated analogue level and pan controls beneath each module. 500ADAT's summing mixer also has a dedicated line output which can be used to send your stereo mix into your audio interface for recording.\u003c\/p\u003e\n\u003ch3\u003eZero-Latency Artist Mixer\u003c\/h3\u003e\n\u003cp\u003e500ADAT moves away from clunky \"virtual\" software mixers and gets your hands back onto the mix. By using 500R8’s high-headroom analogue summing mixer, you can create zero-latency, all-analogue mixes of live sources that can be blended with the Aux Input and sent directly to the recording musicians via C.A.S.T. or the local headphone outputs.\u003c\/p\u003e\n\u003ch3\u003eCAST Equipped\u003c\/h3\u003e\n\u003cp\u003eC.A.S.T. stands for Cat 5 Analogue Snake Transport and enables cost effective and organised cable management around your studio. C.A.S.T. repurposes off-the-shelf, shielded Cat5 networking cables to transport 4 channels of balanced analogue audio over a single cable.\u003c\/p\u003e\n\u003cp\u003e500ADAT has 4 C.A.S.T. IN ports that allow you to connect C.A.S.T. enabled breakout boxes (such as the Cranborne Audio N22 and N22H) to 500ADAT and relocate analogue I\/O wherever it is needed around the studio.\u003c\/p\u003e\n\u003cp\u003eConnect mic\/line sources into the C.A.S.T. breakout box and that signal travels through the Cat 5 cable and directly into the modules installed into 500ADAT. At the same time, the analogue mix created on 500ADAT is sent through the same cable and into the connected breakout box. This allows for seamless analogue audio connectivity between the control room, live room, vocal booth, or the bedroom next door!\u003c\/p\u003e\n\u003cp\u003eC.A.S.T. is 100% analogue and requires no setup in order to operate. It can easily work at distances up to 100m when Cat 6e or Cat 7 cable is used and a complete cat 5 studio cabling infrastructure costs a fraction of what analogue multi core would cost. No setup. No latency. No fuss. And it sounds great.\u003c\/p\u003e\n\u003ch3\u003eDesigned and Engineered in the UK\u003c\/h3\u003e\n\u003cp\u003eTo ensure that every product bearing the Cranborne Audio name is worthy of studio environments big or small, all 500ADAT's are designed and engineered in the UK during the company's watchful eye. 500ADAT is carefully assembled by a skilled workforce with immense attention to detail and every product is tested thoroughly by a skilled engineer before shipping to destinations around the world.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725270929731,"sku":"CA-500ADAT","price":13590.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-500ADAT_01.jpg?v=1786615117"},{"product_id":"cranborne-audio-n8","title":"Cranborne Audio N8","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eC.A.S.T. Distribution Hub and Audio Over Cat 5 System\u003c\/li\u003e\n\u003cli\u003eCompletely passive operation\u003c\/li\u003e\n\u003cli\u003eFully-balanced, high-quality audio paths\u003c\/li\u003e\n\u003cli\u003e8 Inputs and 8 outputs over DB25 (Tascam wiring) (sold separately)\u003c\/li\u003e\n\u003cli\u003eC.A.S.T. IN A, B, C, and D ports on RH45 with 2 dedicated Input and output paths each\u003c\/li\u003e\n\u003cli\u003eCompatible with any shielded Cat 5e\/Cat 6\/Cat 7 cable with distances up to 100m\/330ft\u003c\/li\u003e\n\u003cli\u003eImproved crosstalk performance with high-performance Cat 6 and Cat 7 (recommended)\u003c\/li\u003e\n\u003cli\u003eRuggedised metal enclosure\u003c\/li\u003e\n\u003cli\u003eCompatible with all Cranborne Audio C.A.S.T.-enabled devices including N22, N22H, Camden EC1, and Camden EC2\u003c\/li\u003e\n\u003cli\u003eFully-support of 48v phantom power\u003c\/li\u003e\n\u003cli\u003eRack-mountable with optional Half Rack Kit (OBDRK001)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eN8\u003c\/p\u003e\n\u003cp\u003eC.A.S.T. distribution HUB via Cat 5\u003c\/p\u003e\n\u003cp\u003eN8 is an advanced audio distribution hub that uses Cranborne Audio’s C.A.S.T. system to transform network cable (Cat 5e, Cat 6, or Cat 7) into 4-channel analogue snakes and breakout boxes that can be routed around the studio or stage.\u003c\/p\u003e\n\u003ch3\u003eC.A.S.T. Distribution Hub\u003c\/h3\u003e\n\u003cp\u003eN8 is an advanced audio distribution hub that uses Cranborne Audio’s C.A.S.T. system to transform network cable (Cat 5e, Cat 6, or Cat 7) into 4-channel analogue snakes and breakout boxes that can be routed around the studio or stage.\u003c\/p\u003e\n\u003cp\u003eSet N8 in your control room and patch directly to the IO of your audio interface via DB25. N8 then converts analogue IO from the audio interface into 4 discrete C.A.S.T. connections that can be distributed to C.A.S.T. breakout boxes such as N22 and N22H in your studio or on the stage.\u003c\/p\u003e\n\u003cp\u003eIn a real-world example, a vocal booth created with XLRs, would require 2 XLR cables for microphones, 2 more XLR cables for a stereo monitor mix for the singer, and a headphone amp with power. And after that, unless you're handy with a soldering iron, you'll be left with trailing XLRs and no discrete box to patch to.\u003c\/p\u003e\n\u003cp\u003eN8 and C.A.S.T. replaces all of that complexity with one networking cable and neat, compact breakout boxes over distances up to 100m (330ft).\u003c\/p\u003e\n\u003cp\u003eFeaturing Input and Output connectors on DB25, N8 converts 8 analogue inputs and 8 analogue outputs to Cranborne Audio’s proprietary C.A.S.T. system.\u003c\/p\u003e\n\u003cp\u003eWith 4 dedicated C.A.S.T. ports, N8 allows up to 4 Cranborne Audio breakout boxes to be connected at once for 16 channels of audio routing with any audio interface, mixer, or audio installation.\u003c\/p\u003e\n\u003ch3\u003eAudio Over Cat 5 Made Easy\u003c\/h3\u003e\n\u003cp\u003eA single Cat 5 cable using C.A.S.T. can replace 4 XLR cables - providing better cable management, consistent sound quality, and easier deployment during mobile recording.\u003c\/p\u003e\n\u003cp\u003eUsing N8 and C.A.S.T., you can use standard network cables to distribute IO, headphone amps. mic preamps, and more around your studio with plug-and-play simplicity.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725292294467,"sku":"CA-N8","price":1360.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-N8_1.jpg?v=1786615623"},{"product_id":"cranborne-audio-half-rackkit","title":"Cranborne Audio Half RackKit ","description":"\u003cp\u003eRack-kit for one or two EC1 for a 19\" rack.\u003c\/p\u003e\n\u003cp\u003eThe Half Rack Kit from Cranborne Audio is a complete solution for rack mounting any Cranborne Audio half-rack product (such as Camden EC1) into 19” or half-width racks in a variety of different configurations.\u003c\/p\u003e\n\u003cp\u003eThe Half Rack Kit can be used to mount a single unit into a 19” 1U rackspace, double-rack two units into a single 19” 1U rack space, or mount a single unit into a half-width, 1U rack space.\u003c\/p\u003e\n\u003cp\u003eContaining a long rack ear with custom Cranborne Crest Artwork, two short rack ears, and all required fixings for all configurations in one package, the Half Rack Kit is a flexible rack mounting solution that can grow with your setup and effortlessly integrates Cranborne Audio products into your rack.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725294489923,"sku":"CA-HRK5PK","price":485.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-HRK5PK_1.jpg?v=1786615740"},{"product_id":"cranborne-audio-carnaby-500","title":"Cranborne Audio CARNABY 500","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e3-band, 500 Series Harmonic EQTM meticulously developed by the Cranborne Audio\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003eteam in the UK\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCustom analogue EQ circuit and unique ‘saturation-core’ technology for\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003eHarmonically-enriched EQ effects\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eParametric LO and HI shelving bands with ±10dB of cut\/boost and harmonic\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003esaturation\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eParametric peaking MID band with ±10dB of cut\/boost, fixed Q and harmonic\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003esaturation\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLO, MID, and HI LED indicators to display saturation level\u003c\/li\u003e\n\u003cli\u003e±20dB Input and Output Level for dense harmonic saturation or clean EQ effects\u003c\/li\u003e\n\u003cli\u003eOptoSync wireless communication between modules for linked controls during\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003estereo operation\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e⅛” TRS socket for linking non-adjacent modules\u003c\/li\u003e\n\u003cli\u003eCircuit auto-calibration for perfect stereo matching between all modules\u003c\/li\u003e\n\u003cli\u003eTrue-bypass IN\/OUT switching with complete or post input trim modes available on\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDIP switch\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eStepped, front-panel controls for quick recall and precise feel\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003eCARNABY500 3-bands analog parametrisk Harmonic EQ for 500 series\u003c\/p\u003e\n\u003ch3\u003eHarmonic EQ for 500 Series\u003c\/h3\u003e\n\u003cp\u003eCarnaby 500 is a 3-band parametric EQ for the 500 series format with a unique and\u003c\/p\u003e\n\u003cp\u003erevolutionary EQ concept conceived and created by Cranborne Audio. Carnaby 500 is the\u003c\/p\u003e\n\u003cp\u003eworld’s first Harmonic EQ™ - an analogue EQ that uses harmonic saturation to boost and\u003c\/p\u003e\n\u003cp\u003ecut frequency content. It enhances your sources, stems and mixes with genuine analogue\u003c\/p\u003e\n\u003cp\u003eharmonic saturation with the feel, familiarity, and control of an equaliser.\u003c\/p\u003e\n\u003ch3\u003e3-Band Parametric EQ With More\u003c\/h3\u003e\n\u003cp\u003eCarnaby 500 features 3 interactive bands of Harmonic EQ™ with each band having 10dB of\u003c\/p\u003e\n\u003cp\u003eboost\/cut and its own sweepable and overlapping frequency controls. Each band of\u003c\/p\u003e\n\u003cp\u003eCarnaby 500 has a unique blend of harmonic content suited to its frequency band to\u003c\/p\u003e\n\u003cp\u003eachieve maximum musicality.\u003c\/p\u003e\n\u003cp\u003eThe HI band has a frequency range from 5kHz all the way to 25kHz and uses smooth\u003c\/p\u003e\n\u003cp\u003esaturation to naturally extend high frequencies beyond the audio band for ultimate air and\u003c\/p\u003e\n\u003cp\u003ebreath on vocals and acoustic instruments.\u003c\/p\u003e\n\u003cp\u003eThe LO band has a frequency range of 420Hz down to 20Hz and uses hard-clipping\u003c\/p\u003e\n\u003cp\u003esaturation to extend sub-harmonic frequencies into the audible low-end - perfect for subtle\u003c\/p\u003e\n\u003cp\u003elow-end warming or extreme sub-harmonic saturation.\u003c\/p\u003e\n\u003cp\u003eThe MID band is a peaking filter with a fixed Q and a wide sweepable frequency range from\u003c\/p\u003e\n\u003cp\u003e200Hz up to 6.2kHz. It uses saturation to add harmonic emphasis to the source anywhere in\u003c\/p\u003e\n\u003cp\u003ethe frequency range.\u003c\/p\u003e\n\u003cp\u003eUnlike other EQs, Carnaby 500 has a dynamic response and increases in total boost\/cut and\u003c\/p\u003e\n\u003cp\u003eharmonics as the circuits are driven harder. An Input and Output level control on each band\u003c\/p\u003e\n\u003cp\u003eallows for ±20dB of level adjustment enabling you to drive Carnaby 500 harder with the\u003c\/p\u003e\n\u003cp\u003einput control for more saturation and distortion effects or back it off for a cleaner EQ when\u003c\/p\u003e\n\u003cp\u003eneeded.\u003c\/p\u003e\n\u003cp\u003eStereo-Link via OPTOSYNC\u003c\/p\u003e\n\u003cp\u003eCarnaby 500 not only features a world-first EQ circuit, but it also has an innovative\u003c\/p\u003e\n\u003cp\u003estereo-linking feature called OPTOSYNC which enables two Carnaby 500 units to work as a\u003c\/p\u003e\n\u003cp\u003eperfect stereo pair for mixes and stereo sources.\u003c\/p\u003e\n\u003cp\u003eUsing OPTOSYNC, all controls are synchronized from the left unit to the right without\u003c\/p\u003e\n\u003cp\u003ecables or internal fixings. Switch OPTOSYNC for all slave units to ON and their control’s all\u003c\/p\u003e\n\u003cp\u003esynchronize to the master unit wirelessly using LED and optical communication. You can\u003c\/p\u003e\n\u003cp\u003ealso use OPTOSYNC to link together multiple units for applying the same sonic footprint\u003c\/p\u003e\n\u003cp\u003eacross entire summing mixers or multi-channel surround mixes.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725300060483,"sku":"CA-CARNABY500","price":4790.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-CARNABY500_1.jpg?v=1786615782"},{"product_id":"cranborne-audio-brick-lane-500","title":"Cranborne Audio BRICK LANE 500","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e500 Series Modal PWM Compressor meticulously developed by the Cranborne Audio team in the UK\u003c\/li\u003e\n\u003cli\u003eCustom PWM compression circuit and unique ‘Stress’ control for Harmonically-enriched compression effects\u003c\/li\u003e\n\u003cli\u003e6 Compression modes - Velvet, Float, Smash, Tame, Glue, and Polish set compression ratio, knee, compression style, and compression rate of change.\u003c\/li\u003e\n\u003cli\u003eThreshold control and variable-range Attack and Release controls (altered per mode)\u003c\/li\u003e\n\u003cli\u003e12-segment LED level meter and 12-segment LED Gain Reduction Meter\u003c\/li\u003e\n\u003cli\u003e4 selectable sidechain HPF modes - OFF, 60Hz, 100Hz, 200Hz\u003c\/li\u003e\n\u003cli\u003e±20dB Input and Output\/Make-up Gain Level to tailor the compression and saturation character to the source\u003c\/li\u003e\n\u003cli\u003eOptoSync wireless communication between modules for linked controls during stereo operation\u003c\/li\u003e\n\u003cli\u003e⅛” TRS socket for linking non-adjacent modules\u003c\/li\u003e\n\u003cli\u003eCircuit auto-calibration for perfect stereo matching between all modules\u003c\/li\u003e\n\u003cli\u003eTrue-bypass IN\/OUT switching with complete or post input trim modes available on DIP switch\u003c\/li\u003e\n\u003cli\u003eStepped, front-panel controls for quick recall and precise feel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBrick Lane 500\u003c\/h3\u003e\n\u003cp\u003eThe Brick Lane 500 represents a quantum leap in analog compression — a fully-analogue PWM Compressor that transcends traditional dynamics control methodologies through its revolutionary Modal PWMl Compression architecture. The Brick Lane 500's Modal PWM Compression is like having six legendary hardware compressors at your fingertips, each with its own distinct personality, sonic signature, and dynamic DNA. Brick Lane also features Cranborne Audio’s OPTOSYNC technology, enabling two Brick Lane 500 units to work as a perfect stereo pair for mixes and stereo sources.\u003c\/p\u003e\n\u003ch3\u003eRevolutionary Modal PWM Compression Architecture\u003c\/h3\u003e\n\u003cp\u003eAt the heart of the Brick Lane 500 lies its groundbreaking Modal PWM Compression technology—a paradigm-shifting approach that empowers audio professionals with unparalleled compression flexibility. Unlike conventional compressors, this innovative design allows for unlimited shaping of compression envelopes and styles - without compromise.\u003c\/p\u003e\n\u003ch3\u003eModal Compression: The Sonic Transformation Engine\u003c\/h3\u003e\n\u003cp\u003eThe Brick Lane 500 introduces six distinct compression characters, each meticulously crafted to deliver unique sonic signatures:\u003c\/p\u003e\n\u003cp\u003eVELVET - Vintage Vari-Mu-style musicality with Tube-inspired harmonic compression. This compression style offers smooth, organic dynamic control with vintage tonal warmth and character.\u003c\/p\u003e\n\u003cp\u003eFLOAT - Transparent Opto-inspired dynamics with moderate transparency and gentle, wavelike compression ballistics.\u003c\/p\u003e\n\u003cp\u003eSMASH - FET-Style transient dominance with aggressive dynamic reduction,  and explosive punch and sonic impact.\u003c\/p\u003e\n\u003cp\u003eTAME - Precision transient management with ultra-fast, transparent control and surgical dynamic precision.\u003c\/p\u003e\n\u003cp\u003eGLUE - Glue together all the elements of your mix with this on your master bus for gentle bus-style compression.\u003c\/p\u003e\n\u003cp\u003ePOLISH - Ultimate mastering-style limiting with the cleanest, fastest analogue limiter with our “Analogue-Lookahead” technology.\u003c\/p\u003e\n\u003ch3\u003eThe Compression Chameleon: A Modal Metamorphosis\u003c\/h3\u003e\n\u003cp\u003eImagine a single compressor that isn't just a compressor—but an entire compression arsenal compressed into one revolutionary module. The Brick Lane 500's Modal PWM Compression is like having six legendary hardware compressors at your fingertips, each with its own distinct personality, sonic signature, and dynamic DNA. Each mode isn't merely a setting; it's an entirely different compression philosophy.\u003c\/p\u003e\n\u003cp\u003eEvery mode effectively rewires your patchbay and brings you a totally different style of compression, featuring unique compression ballistics that fundamentally transform the unit's behavior. Attack and release controls morph dramatically across modes—from glacially slow Vari-Mu-style curves to lightning-fast FET-like responsiveness. Compression ratios dance between gentle 2:1 nudges and aggressive 20:1 sonic obliterations. The knee characteristics shift from buttery-smooth rounded edges to razor-sharp precision.\u003c\/p\u003e\n\u003cp\u003eThe 'Stress' control becomes a chameleon, radically changing its harmonic character and saturation profile in each mode. What adds subtle tube warmth in VELVET becomes a transient-destroying beast in SMASH, a mix-gluing agent in GLUE, and a loudness\/clipping finalizer in POLISH. It's not just a feature—it's a sonic shapeshifter that redefines compression as a creative sound design and mixing tool.\u003c\/p\u003e\n\u003cp\u003eKey Technological Innovations\u003c\/p\u003e\n\u003ch3\u003ePWM Compression for Ultimate Analogue Compression\u003c\/h3\u003e\n\u003cp\u003ePure PWM (Pulse Width Modulation) analogue signal processing\u003c\/p\u003e\n\u003cp\u003eMinimises undesirable compression artefacts and distortion\u003c\/p\u003e\n\u003cp\u003eInfinite control of compression envelopes, onsets, and ballistics\u003c\/p\u003e\n\u003ch3\u003eProprietary Modal Compression Architecture\u003c\/h3\u003e\n\u003cp\u003eSix distinct compression modes - VELVET, FLOAT, SMASH, TAME, GLUE, POLISH\u003c\/p\u003e\n\u003cp\u003eFull control of the compression mode and envelope from ultra-fast limiting to gentler \u0026amp; slower compression styles\u003c\/p\u003e\n\u003ch3\u003eAnalogue Lookahead Technology\u003c\/h3\u003e\n\u003cp\u003eQuarter-wave predictive voltage detection provides an advanced transient anticipation mechanism\u003c\/p\u003e\n\u003cp\u003eEnables zero-latency dynamics control\u003c\/p\u003e\n\u003cp\u003ePrevents converter clipping with surgical precision\u003c\/p\u003e\n\u003cp\u003eExclusive to POLISH mode for ultimate mastering-grade limiting\u003c\/p\u003e\n\u003ch3\u003eTransient Harmonic Saturation\u003c\/h3\u003e\n\u003cp\u003eProprietary 'Stress' control enables nuanced audio coloration for each compression mode\u003c\/p\u003e\n\u003cp\u003eTransforms compression into a creative instrument\u003c\/p\u003e\n\u003cp\u003eFull Analogue Signal Path\u003c\/p\u003e\n\u003cp\u003ePure PWM processing\u003c\/p\u003e\n\u003cp\u003e100% analogue signal integrity with no digital conversion\u003c\/p\u003e\n\u003cp\u003eStereo-Link via OPTOSYNC\u003c\/p\u003e\n\u003cp\u003eBrick Lane features Cranborne Audio’s OPTOSYNC technology, enabling two Brick Lane 500 units to work as a perfect stereo pair for mixes and stereo sources.\u003c\/p\u003e\n\u003cp\u003eUsing OPTOSYNC, all controls are synchronized from the left unit to the right without cables or internal fixings. Switch OPTOSYNC for all slave units to ON and its controls  all synchronize to the master unit wirelessly using LED and optical communication. You can also use OPTOSYNC to link together multiple units for applying the same sonic footprint across entire summing mixers or multi-channel surround mixes.\u003c\/p\u003e\n\u003ch3\u003eRugged Industrial Design And Automatic Calibration\u003c\/h3\u003e\n\u003cp\u003eWith rugged and unique structural support, custom 41-way detented pots on every control, as well as Automatic Calibration of all analogue saturation paths, Brick Lane 500 is a timeless processor designed to be a constant audio-enhancer in your studio for years to come.\u003c\/p\u003e\n\u003ch3\u003eEngineering Precision Meets Musical Intuition\u003c\/h3\u003e\n\u003cp\u003eThe Brick Lane 500 is not merely a compressor—it's a sophisticated sonic instrument designed for audio professionals who demand absolute control and exceptional sound quality. Whether tracking, mixing, or mastering, this modal compressor adapts to your most demanding audio sculpting requirements.\u003c\/p\u003e\n\u003cp\u003eRedefine your approach to dynamic processing with the Brick Lane 500—where technological innovation meets musical expression.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725300093251,"sku":"CA-BRICKLANE500","price":5639.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-BRICKLANE500_1.jpg?v=1786615782"},{"product_id":"cranborne-audio-camden500","title":"Cranborne Audio CAMDEN500","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFully-discrete, transformerless design featuring our custom ‘Camden’ preamp topology designed by our Director of Engineering - Edward Holmes.\u003c\/li\u003e\n\u003cli\u003eOptimised for and fully-compliant with the 500-series format.\u003c\/li\u003e\n\u003cli\u003eCamden 500 is not a 19” unit shoe-horned into a 500-series module, it has been designed from the ground-up to perform during the low-voltage power rails and supply current limitations of the 500-series format whilst delivering groundbreaking performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePerforms at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEIN: \u0026lt;-129.5dBu, 150 ohm source, unweighted, \u0026lt;-135.5dBu, Inputs common, unweighted\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0004%, 1kHz, 35dB gain, 24dBu out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eI- ntermodulation Distortion: \u0026lt;0.0008%, 50Hz and 7kHz, 35dB gain, 20dBu out\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePhase Shift: \u0026lt;2.25°, 40dB gain, 20Hz to 20kHz, \u0026lt;4°, Max gain, 20Hz to 20kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003eF- req. Response: \u0026lt;±1dB, \u0026lt;5 Hz to \u0026gt;200 kHz, all gain settings\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCMRR: \u0026gt;70dB, typ \u0026gt;85dB, 35dB Gain, 10-20kHz, 100mV Common mode\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003eOptimised input Impedance and input headroom for Mic, Line, and Hi-z sources.\u003c\/p\u003e\n\u003cp\u003eMic Preamp, Instrument Di, and - thanks to Mojo - line-level analogue saturator.\u003c\/p\u003e\n\u003cp\u003eReamp tracks from your DAW through Mojo to apply analogue saturation to your stems, VST, and stereo mixes.\u003c\/p\u003e\n\u003cp\u003eCustom ‘Mojo’ analogue saturation circuit with variable control, true bypass, and 2 discrete styles - Thump and Cream.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThump excites low-end content by boosting lower odd\/even harmonics from a range of 160Hz to 20Hz and below.\u003c\/li\u003e\n\u003cli\u003eCream boosts odd\/even harmonics whilst also reducing the amplitude of the fundamental frequencies and applying typical transformer-style transient taming.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGold Flashing on backplane contacts for increased conductivity and durability.\u003c\/p\u003e\n\u003cp\u003eDesigned, engineered and manufactured in the United Kingdom\u003c\/p\u003e\n\u003ch3\u003eCAMDEN500\u003c\/h3\u003e\n\u003cp\u003e500 Series Preamp And Signal Processor.Astoundingly transparent and detailed 500 series mic, line, and hi-z preamp with mojo - two analogue saturation styles that emulate vintage valve and transformer effects.\u003c\/p\u003e\n\u003cp\u003eAstoundingly transparent and detailed 500 series mic, line, and hi-z preamp with mojo - two analogue saturation styles that emulate vintage valve and transformer effects.\u003c\/p\u003e\n\u003cp\u003ePut simply, Camden 500 is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e\n\u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigours of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.5dB EIN (150ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7dB from 5Hz to 200kHz at max gain and \u0026lt;2° phase shift @ 20Hz – 20kHz.\u003c\/p\u003e\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analogue saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all,unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e\n\u003cp\u003eClean, Precise, and Natural - at all gain positions\u003c\/p\u003e\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8dB to 68dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e\n\u003ch3\u003eVintage, Warm, and Coloured - thanks to Mojo\u003c\/h3\u003e\n\u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviours of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialled in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e\n\u003cp\u003eThump\u003c\/p\u003e\n\u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100Hz to 20Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e\n\u003cp\u003eCream\u003c\/p\u003e\n\u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725300126019,"sku":"CA-CAMDEN500","price":3220.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-CAMDEN500_1.jpg?v=1786615784"},{"product_id":"cranborne-audio-n22","title":"Cranborne Audio N22","description":"\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTwo balanced combi jack inputs\u003c\/li\u003e\n\u003cli\u003eTwo balanced 1\/4” jack outputs\u003c\/li\u003e\n\u003cli\u003eTwo balanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eC.A.S.T IN RRTT Port (for connecting to a second N22)\u003c\/li\u003e\n\u003cli\u003eC.A.S.T OUT TTRR Port (for connecting to 500R8\/500ADAT)\u003c\/li\u003e\n\u003cli\u003eAdvanced connectivity with 500R8, 500ADAT, and Camden EC2\u003c\/li\u003e\n\u003cli\u003eCat5 snake connectivity with a second N22 or N22H\u003c\/li\u003e\n\u003cli\u003eCompletely passive operation\u003c\/li\u003e\n\u003cli\u003eCompatible with any shielded Cat5e\/Cat6\/Cat7 cable with distances up to 100m (330 ft)\u003c\/li\u003e\n\u003cli\u003eImproved crosstalk performance with Cat6 and Cat7\u003c\/li\u003e\n\u003cli\u003eRuggedised metal enclosure\u003c\/li\u003e\n\u003cli\u003eFixing holes for permanent installation\u003c\/li\u003e\n\u003cli\u003eCable-tie holes for cable management\u003c\/li\u003e\n\u003cli\u003eNon-slip rubber feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eN22\u003c\/p\u003e\n\u003cp\u003eCat 5 Snake and C.A.S.T. Breakout Box. N22 is Cranborne Audio’s solution for flexible, high fidelity, and cost effective audio distribution. Put simply, N22 replaces 4 balanced XLR cables with one a shielded Cat5e\/Cat6\/Cat7 cable to transport 4 channels of analogue audio over distances of up to 100 meters (330 ft).\u003c\/p\u003e\n\u003cp\u003eFlexible, high fidelity, and cost effective analogue audio distribution system with advanced connectivity options for other C.A.S.T. enabled products.\u003c\/p\u003e\n\u003cp\u003eN22 is Cranborne Audio’s solution for flexible, high fidelity, and cost effective audio distribution. Put simply, N22 replaces 4 balanced XLR cables with one a shielded Cat5e\/Cat6\/Cat7 cable to transport 4 channels of analogue audio over distances of up to 100 meters (330 ft).\u003c\/p\u003e\n\u003ch3\u003eSimpler Cable Management\u003c\/h3\u003e\n\u003cp\u003eConnect two N22’s together using a single shielded Cat 5e\/Cat6\/Cat7 cable and you can pass 4 channels of balanced, analogue audio between two distant locations. Use N22 in the studio to connect the live room to the I\/O of your audio interface, in a live rig to connect your mixing console to your power amps, or even at home to connect your surround speakers to your home cinema system.\u003c\/p\u003e\n\u003ch3\u003eLess Cable Clutter\u003c\/h3\u003e\n\u003cp\u003eUsing a shielded Cat 5e\/Cat6\/Cat7 cable instead of 4 XLRs allows you to not only reduce cable spaghetti in your studio but also distribute audio around studios or stages using affordable network cabling whilst achieving the highest sonic results due to shielded Cat 5e\/Cat6\/Cat7's low-crosstalk design. Perhaps best of all, N22 is completely passive and requires no external power in order to transport audio at the highest quality level over the longest distances.\u003c\/p\u003e\n\u003cp\u003eEach C.A.S.T.  Cat5e\/Cat6\/Cat7 connection on a Cranborne Audio product features unique optimisation to ensure that the maximum signal integrity is transmitted over shielded Cat 5 cables for distances of up to 100m without high-end roll-off and with low-crosstalk.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Connectivity With 500R8 and 500ADAT Interfaces\u003c\/h3\u003e\n\u003cp\u003eIf your studio is already built around a Cranborne Audio interface such as a 500R8 or 500ADAT, you can connect multiple N22’s into their C.A.S.T. Input connectors and then receive balanced input sources plugged into N22’s combi inputs directly at the audio interface's inputs ready for processing and recording. That same cat 5 C.A.S.T. connection also transmits a stereo monitor mix generated by the 500R8\/500ADAT back down the same cat 5 cables and directly into N22’s balanced XLR and 1\/4” Jack outputs for monitoring or reamping.\u003c\/p\u003e\n\u003cp\u003eA Palm-Sized Connectivity Powerhouse, N22 represents Cranborne Audio’s most cost effective C.A.S.T. breakout box and it is the perfect compliment for those looking to build their studio around a Cranborne Audio product but with its capability to be used standalone, it is also an ingenious little tool for those looking to reduce cable clutter in their setups whilst increasing signal integrity, flexibility, and deployment convenience.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725300191555,"sku":"CA-N22","price":950.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-N22_1.jpg?v=1786615786"},{"product_id":"cranborne-audio-vintage-wallpaper","title":"Cranborne Audio Vintage Wallpaper","description":"\u003cp\u003eCranborne Audio Designed blindeplates for 500-series. 2-pack\u003c\/p\u003e\n\u003cp\u003eWho said blanking plates need to be blank?\u003c\/p\u003e\n\u003cp\u003eCustom ‘Cranborne Audio Crest’ artwork.\u003c\/p\u003e\n\u003cp\u003eVintage Wallpaper from Cranborne Audio are two 500 series blanking plates in one package, ready for papering across empty slots on any 500 series rack. Inspired by Victorian \u0026amp; Edwardian wallpaper commonly found in British living rooms for decades - each plate features the Cranborne Audio crest aligned to form a pattern across all blanking plates to create a large wallpaper-style image across empty slots on any 500 series racks.\u003c\/p\u003e\n\u003cp\u003eThere’s more to the crest than meets the eye too. Each symbol in the design represents a different member of the Cranborne Audio team.\u003c\/p\u003e\n\u003cp\u003eShipping in a pack of two, there is no more British way to cover up and protect those unsightly empty slots on your Cranborne Audio 500 series rack, or indeed any 500 series rack.\u003c\/p\u003e\n\u003cp\u003eNote: Rack Screws not included\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54725304975683,"sku":"CA-VINWPR10PK","price":415.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/CA-VINWPR10PK_1.jpg?v=1786615908"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/collections\/brand-cranborne-audio.png?v=1794301116","url":"https:\/\/www.soundstorexl.dk\/collections\/cranborne-audio.oembed","provider":"SoundStoreXL","version":"1.0","type":"link"}